marvel studios is going through a moment where they could literally pick any character and make a successful movie if they wanted to. for fucks sake they made one about a team that not even most marvel comics fans really cared about, when no one was asking for a movie about them, a team that features a talking tree and a talking raccoon, and it had the fucking biggest box office of the year so far. stop giving me those weak ass excuses for the lack of female led movies
I love when you become so close with someone that you can see parts of each other in one another and you begin to say the same things and steal lines from one another and have a similar sense of humor and can exchange an inside joke with just a glance you don’t even have to talk because you have such a strong connection with them and you can sit in comfortable silence but also talk for hours it’s really hard to find that kind of compatibility
I hate when the media makes The Hunger Games look like a battle for love. Get your bullshit fantasies away. This is about murder, over powered government, and a girl trying to change the way things are. News flash not every girls fantasy is to find true love.
the irony here is that our media is doing exactly what the Capitol did in the books; downplaying the murder, focusing on the bullshit love story
That’s not irony, that’s just plain scary
Well, authors invite this—or at least authors like me do, by putting so much of our personal selves online and engaging in conversations outside stories, so it’s a little unfair to be like, “Follow me on tumblr and twitter and youtube and instagram, but NEVER TRY TO FIND MY INSIDE MY NOVELS.” As a reader, I find it impossible to ignore the author when they’re someone I know, whether online or off.
Also, we live in a quote culture: We see quotes all day across the Internet, and those quotes almost never come with real context. Like, the protagonist of Katherines says, “What’s the point of being alive if you don’t at least try to do something remarkable?” Now, I don’t think that’s a problematic approach to life, and I hope during the course of the novel Colin comes around to the idea that there’s great meaning and joy in the so-called unremarkable life. (As if anything on this planet overflowing with life is unremarkable.) But as I get older, I find myself less and less annoyed about the inevitable decontextualization that accompanies quotation. If people find something useful, okay.
It’s so very hard to separate yourself as a person from your work, no matter what kind of work you do. (e.g.: As a high school student, I was disengaged and sloppy with occasional moments of promise, which to me meant that as a person I was disengaged and sloppy with moments of promise. But really, who you are in your job or education is not exactly who you are.) But I am not my work. It is up to other people, if they are so kind as to read and watch the stuff I make, to judge its quality and/or usefulness. The core things I am—a husband, a father, a brother, a son, a nerdfighter, a friend, etc.—are not dependent on my books being any good. Thank God for that.
I don’t think I answered your question. Sorry. The only answer I have to your question is that I believe books belong to their readers.